![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcbVKbBFTy6ZbDObqXLGqnWTjk2OfgpbqHg_E91Cj-oDNpc6iY7qXRUuhIceUTsL1SXuzvBcwWSbgoO-6hxLghuilpgWv_l64xIVOJEjJbhzl_PbsPQ2wL8gPa3b3sbWyz39pBPB6zMw/s320/ClassNotes.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB1xE-8HCXSVIPWmTCs2nqgT-IUCGTZcWIkz7Wc-J2bgrb89ZhglczXyO2S6GZAWP42gs14nHielN6N_e-URwVPe_9CddadyN_l-oTviKU-iWpR6b3PUQLVpqzFi7NJ9KGUowXie4E-A/s320/flowersIn+Glass.jpg)
Personally, I believe that communication is one of the primary, if not THE primary function of the painter, right up there with expression, so I am willing to go with simply communicating the subject. Any more explanation can be beautiful - or just redundant. They both work because they are both clear, shiney and show some color in the glass.
Stay tuned for cut glass.