Showing posts with label Class Notes: Values Sketches. Show all posts
Showing posts with label Class Notes: Values Sketches. Show all posts

2.22.2016

Class Notes: COLOR Choices In VALUE


In class we are looking at VALUE and the color choices that make it work.  This adventure took a more abstract approach to VALUE, applying color-in-value to simple shapes that did not come from a photo or image.
First we divided the canvas into quarters,  drew 3 circles in every quarter and gave each one a value number using the value scale - seen here.  Every quarter should have 3 circles:  a light one, a medium one, and a dark one, plus a fourth and lightest value for the background - for a total 4 different values.

Now to the fun stuff - PAINT.  On the sketch above, I have noted the intended values, based on my numbered value-scale (I expect to vary these a bit).
With the sketch as a guide, I will use the value-scale to match each color choice to the value number noted on the sketch.

Side note: You can see that I did not paint the circles onto a white canvas but applied a mid-range (value #4) color as a ground. In the end this may get covered but sometimes having a mid-range "ground" already ON the canvas helps us evaluate the colors placed on top.  Note: a "ground" is a prepared surface, in this case- a colored surface, to which paint is applied.

After generally covering the canvas, I went back and began to play with the shapes by varying the brushwork and worked to move the color around the canvas, while staying true to the values in each shape. This was so much fun that it was hard to stop -  I could imagine working up this idea to 6 foot format.  Oh yeah!
In the end however - the tonal photo tells the story;
for all the craziness, the shapes still hold to the value plan set forth in the original sketch.


Now- go out and color the world - but don't forget your VALUE sketch.








1.28.2012

Class Notes: The Value of a 2-VALUE Sketch

My favorite type of sketch is the 2 value sketch, or 2 value notan; here at the top.
I use a bold sharpie-marker to lay in the dark values of the sketch and leave the white of the paper for everything else. I skipped the mid-tones, so for every shape I must decide to push it to black or the other direction, to white. The 2 value sketch may take some practice but the design potential is huge. Suddenly, you will begin to see patterns and shapes form that you may not have been able to see in a 3 or 4 value sketch.
Compare the top sketch to the more conventional 3 value sketch below it. Both explain the light and tell the story but present very different pictures.
SideBar: I use the 2 value sketch in my own work because of the graphic quality it brings to the paintings.
In both sketches, I am very conscious of connecting the darks so that the viewer's eye can move across the composition with out a break. The final result was this little painting I did as a class demo.













The practice of translating what you see into small value sketches will help develop your artist's eye for VALUE.
What ever kind of sketch you choose to do, it will set you up to know where you are headed in the painting;
You master the work instead of letting it master you.
And we all know what that feels like - when a scene has just kicked your butt. . .
Go back and attack it with a value sketch.

Next time: TIPS on creating better value sketches.