My weekend in Manitou included a one day workshop in the lovely space at the Fare Bella gallery, run by Patti Filler and right next to the
TracyMiller gallery.
Because this was not an outdoor (plein air) workshop we worked from photos brought by the artists.
My focus, as always, is on design, and in this case how to bring out the strengths of your reference material.
This black and white photo was the reference for the demo. My sketch below shows how I ALWAYS start by simply dividing the space into thirds and moving shapes to strengthen the composition.
As a class we all took part in deciding how to break up the space:
#1 We chose to move the horizon to the upper third line.
#2 We connected the major elements: the large tree and the barn, moving them to the third line on the right- thus creating a strong focal point.
#3 We placed a balancing group of trees to the left side.
#4 Even the division of the foreground follows the grid.
Below the sketch is my quick 9x12 demo.
Compare the demo sketch and the demo to the plein air piece below, done at the same location as the reference material.
In both cases I make use of the
Rule of Thirds by dividing my sketch area into thirds both vertically and horizontally.
This is a classic compositional idea that deals with both the composition and placement of the focal point - meaning,
it helps you organize the space and position subject matter to be visually balanced.
You can see how I clearly made very different, and important choices about - the horizon line, the major elements and the secondary shapes.
Both compositions are strong because they are governed and held together by the
Rule of Thirds.
Read more about the
Rule of Thirds by going to LABELS on the right side of this blog, scroll down and click on
Class Notes: Rule of Thirds.
. . . and this is a good place to
plug the benefits of doing a sketch, no matter how simple.
