Showing posts with label Quick Draw Estes Park '08. Show all posts
Showing posts with label Quick Draw Estes Park '08. Show all posts

9.05.2008

Estes Park 2008. Quick Draw Saturday





The Quick Draw is my favorite part of any plein air event and probably the only time all of the artists paint together. There is a little bit of nervous energy but once the whistle blows everyone gets right to it.

As a consequence of painting in the shade my acrylic under-painting took a very long time to dry so I used the time to take photos of other artists. At the top, rick Frisbie breaks his concentration for a moment to give me a wave; Scott Freeman is painting the model. Deb Robinson, in her signature cowboy hat, is painting a view upstream and you can tell the morning is cool; she still has a sweater on. Teri Gortmaker is working in pastels and you can see her tray of pastels laid out on the french easel. The last photo is of KC Benson, a watercolorist whose work I admire. He has work in the Link Gallery in Cheyenne, who also represents me.
Click on the photos to see them larger.

Estes Park 2008. Quick Draw Saturday

A lot of artists paint the model at the quick draw; not my cup'o tea- or maybe I'm not brave enough. The model is seated in a wicker chair on the right, facing the painters.

Estes Park 2008. Leslie Allen Paints Me


Well, this was fun. Leslie Allen (a fellow member of PAAC) was set up behind me, and unbeknown to me, used me as her quick draw model; and a sweet job she made of it. I would have loved to have bought it at the auction but knew better than to get in the middle of the bidding - which got rolling quite quickly. In the end my friend Damon, a gallery owner form Columbus took it home. - Sigh. . .
Take a look at the hat; so expressive, so terse and decisive. Check out more of Leslie's work at www.allenfineart.com.

Estes Park PLEIN AIR 2008. My Quick Draw

In the last 2 years at the quick draw, I have done more intimate views, of the stream or a group of trees. Today I painted a long view looking over the park, parking lot, and all of the activity, to Long's Peak through the trees.
There is something about a quick draw, the pressure and the energy which helps me cut loose and paint more freely. There is not time for second guessing or tedious care taking. Most plein air painters can do the job handily in the time frame but usually prefer a more finished look. That would not be me. I would be the one actually trying to make my daily paintings look more like the quick draw paintings.
The piece didn't seem to suffer at the auction. After some active bidding, this one sold for the highest that I have ever had a quick draw go for.