The fall color is gone and morning temps hover around 12 degrees. It is time for the painting class to move into the studio and I have had requests for some specific instruction on painting glass and metal.
These 3 little studies focus on clear glass and my approach is very unfussy.
I rely on context to explain the situation so I can get away with saying as little as possible in paint and allow the eye to fill in the blanks.
Clarity is also key when interpreting clear glass. Beginners fall into the trap of trying to describe too much "glass"- which, when you think about it - if it is clear, should hardly be seen at all.
Finally, strong hard highlights and hard accents (the darkest marks) communicate the hardness of the glass.