2.28.2014

Art is For Everyone - even Astronauts

Work from the Alamosa Family Rec Center Youth Art Program is currently on display (March- April) at Weiss Cleaners in downtown Alamosa. The work is an expression of the theme " What I want to be" and catches kids in the act of envisioning their future.
I love the fact that in a kid's world - everyone does art; everyone creates, even astronauts, hairdressers, scientists, farmers.

This is an ongoing class taught by Suzanne Greenwood, New Mexico State University graduate with a BFA in clay sculpture and herself a brilliantly creative artist.
So the call is out: send your future farmers, math minds, scientific geniuses, engineers, doctors, nurses, musical prodigies,  6- 12 yrs old - and help them create their future.
For more information about the Rec Center Youth Art Classes for Spring and Summer call
589-2105 or visit www.alamosarec.org.





2.26.2014

PLACES and SPACES

February 14th was the reception for my solo exhibition
"Places and Spaces" highlighting work of the San Luis Valley.
Whew!
And that big one in the photo - it has also left the building - THANKS to collectors in Kansas.

It was all so much work, but a pleasure to show in my home town - something I try to do every 2 or 3 years.  The ARTrium Gallery space, located inside our SLV Hospital is also one of the most beautiful venues in southern Colorado. I was able to show about 35 pieces during the 3 months that this show hung, and I sold over half of the work - including the one in this photo.  It was especially gratifying that buyers came to the reception from as far away as Denver and Santa Fe - and carried work home with them.
Thanks to the SLVHRMC Hospital Foundation for providing such a great ART space and one that is also enjoyed on a daily basis by doctors, nurses and many patients on their way into surgery or back to recovery. The SLV Medical Center owns several pieces of mine - as part of their permanent collection.
- another reason why I love this place. Thanks so much friends.

2.02.2014

February 2nd - Already?

Today is both Ground Hog Day and Superbowl Sunday. Yikes! The first time, ever- these dates have collided.
I am hoping that Punxsutawney Phil sees the shadow of Peyton Manning and the Broncos winning the game.

This is what folks in cold climates do in the winter; watch too much football and talk to groundhogs. I never understood these things when I lived in California where it is never ending Spring. Painters go outside and enjoy ubiquitously pleasant weather year around.  Here in Colorado, where temps last month hardly rose above 5, we must flow with the seasons. This season being the really cold one.  In December I was busy with 3 shows all going at the same time and involving about 50 paintings, big and small. And I am very grateful,  but by New Years I was very ready to watch football and meditate on rodent weather predictions. I guess we all have times like this.
It isn't inspiration I lack, just motivation to follow through. This blog for example, I have written it - with pure genius I might add, a hundred times in my head, while driving, talking on the phone, sleeping . . . 
it just never made it to hard copy.
So, what does a plein air painter do during these dark days of winter when motivation and inspiration are at low tide?
My studio did get a pretty thorough cleaning this month, but mostly,
I lean on the classes that I teach to keep me moving forward. Class times are social, for sure but we take simple set ups and hone the craft of painting with no pressures. This is very different than painting for the market.








Essentially, I took the month off and tried not to say "I should be painting" but pondered the snowflakes and let the joy of painting, the "WANT TO"  to come back.
When the full moon rose above Mount Blanca on Jan 15th, I snapped this photo from my back porch. Sometime in the next few months the inspiration from this will show up in a new piece.

12.21.2013

Winter Dreams of Summer's End


This plein air painting, done at the end of last summer is a part of the solo show that I hung at the beginning of December here in Alamosa at the San Luis Valley Regional Medical Center ARTrium Gallery. This solo exhibition has been the major focus of my year and I felt real relief as it all came together.
A huge "Thanks"
to the San Luis Valley Medical Center for creating such a beautiful dedicated space for art in this community and for all the encouragement from the staff.  I am thrilled that 4 pieces sold right after the show went up.  The reception will be February 14th - save the date;  paintings will hang until the end of February.
I for one am happy to throw myself into the Christmas Holiday and do a little quiet non-painting meditation before heading into the new year.
Thanks to my galleries; it has not been any easy for those in the way of fire and flood here in Colorado. This is one year we are ready to see come to an end.
Thanks to folks who purchased paintings this year, from me or from other artists. Thanks for supporting art and the people who make it.
Thanks to all my students; you keep me honest and keep me on track.
I wish you all a very Merry Christmas, a blessed holiday season.
See you in January.

11.27.2013

TracyMiller Gallery Presents
100 for $100
2nd Annual Holiday Art Show and Sale

“Sangre Summer”  oil   5” x 5”   ©Coni Grant  SOLD

“Stars & Snow”  oil   4” x 4”   ©Coni Grant  SOLD

Featuring: Coni Grant, Karen Anderson, Danyl Cook, Nancye Culbreath, Lorraine Danzo,
Mark Day, Will Ersland, Patrice Filler, David Gonzales, Ded Komitor,
Shar McClure, Audrie Mergelman, Tracy Miller, Laura Reilly, Jack Risley & Sue Tormoen

Opening Reception Sat. Nov. 30th  3 ~ 6pm
16 Ruxton Ave., Manitou Springs, CO
Show continues through Dec. 31st

11.25.2013

Class Notes: SEEING Values and Creating the Notan


Good art/design is based on the interaction of light and dark; we call it Value. Seeing the Value pattern is key to strong work. That's why painters squint: at the still life, at the landscape - squinting helps to better see the Value pattern in the subject. Seeing the light and dark pattern and translating that to a 2 value notan sketch creates a Value foundation for the final work.
We have all seen work where the artist has no sense of a value pattern; it appears spiritless and blah.
In a great painting we may enjoy a stunning image or beautiful technique but you can be sure - behind every GREAT painting is a strong Value pattern, planned at the sketch/notan stage to create a well organized arrangement of light and dark.
Above is a simple class setup and the notan created for the painting. Can you see the notan in the photo of the pears?
French Impressionists used the notan idea as did the great illustrators of the 19th and 20th century- I am thinking of Howard Pyle and Norman Rockwell.
Call up some their work on the internet and take a look. Squint and see if you can see the notan - or the strong pattern of light and dark.

11.02.2013

Class Notes: Notan - as in "You have a nice NOTAN"

I have never heard the word thrown around so much as I did last week in Sedona. Someone actually came up to me while I was painting and said,
"I love your Notan";
Hmmmm. I'll take that as a compliment.
Notan refers to a type of sketch and comes from the combination of the 2 Japanese words for 'light' and 'dark'.
Artists use the term to refer to the interaction between the two - like a dance; and it's a cool word that addresses it.
Good design, consequently all good painting,  is based on the balance and play between light and dark, regardless of color.
As well, its importance strengthens the argument for creating a SKETCH before painting.
Shown here is the type of 2 value 'notan' that I create with a Sharpie pen for each painting; just black and white - no 3rd value gray.











Most artists use the more common, 3 value sketch (or 3 value notan) to lay out values and it is what I teach in class.  I have written several blog posts on creating a simple 3 value sketch, which is a good thing to know.
Having said that however,  in my own work outside of class, I do a 2 value 'notan', and started doing that early on when I realized how the power of a 2 value sketch could revolutionize my work; and it has done just that.
So, we will spend some time this class session exploring the dance of light and dark balance  - while working the 2 value notan in class.
Bring a small sketch pad and a Sharpie pen and don't forget the paints.
To read more about 'notan'- scroll down the labels on the right to see Class Notes on Sketching and Notan.

10.30.2013

Sedona Plein Air Fest

Sedona was some kind of amazing - almost beyond belief with color and drama, thankfully, all in the landscape.
Thirty artists participated from all over the country and we had a great time. Organized and fun, artist and buyer friendly- this was the best plein air event that I have ever attended.  Kudos to the Sedona Arts Center. It is no wonder painters want to be in this event and people travel from all over to see the show. My piece above of Coffee Pot Rock was one of 3 that I sold at the show. Click on this link: Sedona Plein air Fest Artists see who else was painting in Sedona this last week, or follow it on Facebook.
Thanks to Leslie Allen who took the shot of me at the Sedona Arts Center during the first paint out of the week.

10.16.2013

Sedona Plein Air Festival

It may be snowing in Alamosa but I have high hopes for good color and good weather in Arizona. I have been invited to join 29 other plein air painters at the Sedona Arts Center for a week of painting the Autumn color in and around fabulous Sedona Arizona.
It will be a full week of events, starting with a paint out in down town Sedona and continue with an ongoing wet-wall exhibiting work created during the week. In the photo are 7 of the great artists who will be there.  L-R: Shelby Keefe, Carolyn Hesse-Low, Tracey Frugoli, Peggy Immel, Hou Hai-ou,Betty Carr, and myself.
Click on this link: Sedona Plein Air Fest to see the complete schedule and all the opportunities to see plein air work in Sedona and the artists who will be creating it.

Should We Be Surprised?

Not really, but the first real snow of the season- even in Colorado, can catch you off guard. Last night we got about 4 inches of wet sloppy snow and for many painters it is time to throw up the white flag and head into the studio.  Nay!      It is too early in the season for that.
To all the Class painters - I will be at the State Street bridge tomorrow at 9am - hopefully, to paint;
Take heart and wear a hat.
_____________________________________

Here we are on the river at the last plein air class of the season.
Bravo!   to you hardy folks who came out. Those leaves are just barely hanging on in spite of the early snow.

The next Painting Class session starts on
Thursday morning, October 31st -  9 to noon.
This Painting Session will be all STUDIO. Classes meet at the Alamosa Recreation Center.
Call 719-589-2105 for information or registration.