Taste of Creede on Memorial Day

I will be headed back up to Creede, Colorado on Memorial Day Weekend, May 23-24, for the Taste of Creede Arts Festival and Fine Arts Auction. The weekend includes painting in town on Saturday and a Quick Draw and auction on Sunday morning. Call the Chamber of Commerce at 719-658-2374 for further information.
Listed as 'one of the best small art towns in America' it is worth the trip. Take Colorado Hwy. 149 from South Fork or Lake City, the heart of the Silver Thread Scenic Byway. Go to Creede's website to see more and make plans now to be in Creede for all of the art fun on Memorial Day Weekend.

From East To West

Last week we stood on the side of Mt. Blanca, in the Sangre range, that borders the San Luis Valley on the east and looked out toward the San Juans to the west. Friday we headed up to the San Juans; it was so clear we could look across and almost pinpoint where we had painted last week. Rock Creek, east of Alamosa, is one of my favorite places to paint, shoot photos or cross country ski. Sue and I have wanted to get up there for weeks but at times the snow is just too deep. Friday was perfect: snow - but not impassable; as long as we stayed where the road was plowed. Snow on the road in front of Sue is untouched, and as we found out - the hard way - very deep.
Temps were probably not above freezing but the air was absolutely still and it felt like Spring.
You really missed it Dave!
Click photos to see them larger.

Friday at Rock Creek

Here is my view of the view.
Sue and I only stayed about 2 hours. By the time we packed up, the light was seriously changing. But what an absolutely stunning day.

Class Notes - It's All About VALUE - Week Five.

VALUE: the dark, the light.
How to understand value and communicate it correctly in your work is always the challenge. VALUE, more than color is key to a successful painting. Values explain the landscape and reveal what is happening with the light on the forms. Color can be distracting and often keep us from creating correct value relationships, so taking a photo and making a black and white copy can help by showing: lightest light and darkest dark, patterns of light and dark, and the 3 dimensional qualities of objects in the landscape.
I like to use a black and white sketch or photo because it frees me up to use colors of my own choosing - as long as they fit into a strong value pattern. See below.

Class Notes - Painting from Back & White Photos

I used the center photo from the group above, for this little 6"x 8" demo. Except for the foreground, I followed the value pattern but wanted to emphasize the light in the sky and on the mountain, so combined the foreground value shape with the mid ground value shape.
Bye the way - viewing your work in black and white can show clearly if the values are working.

The Hills are Alive

I read on Monday that Punzsutawney Phil saw his shadow; if he lived in Colorado that wouldn't be very remarkable - we all saw shadows Monday because it was a beautiful sunny day in the neighborhood of the Sangres (S.Colorado, near the Dunes National Park). Patrick Myers, David Montgomery, Sue McCullough and I drove up into Zapata Ranch for breathtaking views of the San Luis Valley, all the way from the Collegiate Peaks south to New Mexico. The Zapata area offers an unbelievable variety: long views, snowy peaks, pinion trees, desert-type terrain, Ponderosa forests and deep aspen glades. It is hard to keep from driving up and up and up, because the views are so amazing and the mountains so inviting - you might find yourself having a "Sound of Music" moment. No twirling allowed . . . .
And how do you please 4 painters? - When you find yourself having a "video store moment", everyone saying things like "What ever you want, I don't care what we watch- oops, paint". . . .
My conclusion is - that you have not found the SPOT. Well, after a little of both, we pulled off and suddenly the apathy was gone. We all headed out in different directions and I set up with a very dense wood at my back. I could hear a running stream but also rustling and branches being broken - this is the kind of thing that can creep you out when you're in the woods. Come to find out it was Dave, set up deeper in the trees where the stream widened. Of course, then came the inevitable discussion about wild things in the woods - besides ourselves.
Click on any of the photos to see them larger. My piece is just below in the next post.

Feels Like Spring

A little lane, lots of snow and already signs of Spring. I painted with the music of a running stream behind me. Dave summed things up perfectly as he strolled out of the trees, "best job in the world'.

Rio Grande County Museum Presents

Expressions in the Landscape, paintings by Coni Grant.
Reception for the artist, Saturday January 31st from 2-4 pm.

The show will continue through March 27, 2009 at the Rio Grande County Museum & Cultural Center located at 580 Oak street in Del Norte, Colorado. Daily hours are Tuesday - Saturday, 10am to 5 pm.

This photo was taken by Judith Greenwood back in June when the aspens where at their peak of green-ness up in the Conejos. It was a beautiful day.

Class Notes - Got Photos?- Week four.

 My kids come home from school, open the fridge and ask the eternal question - what's to eat? There is a difference between just ingredients and a meal.
Most of us take tons of photos, store them on the computer, where they sit until we have long forgotten what inspired us to shoot them in the first place.
Well, if you are stuck for something to paint, pull out the photos, and learn to cook.
You might be amazed what you can come up with if you start looking at them with a designer's eye. Subject matter aside, look for interesting shapes, and value patterns of light & dark, then start sketching. Sometimes turning a photo upside down helps you to see major shapes and simplify the elements. Simple ideas, communicated simply, are the most powerful: patterns of trees in the forest, or just interesting diagonal and vertical shapes. Take that kernel of inspiration and see if you can fit it to a sound compositional idea, arranging the shapes so they lead the viewer through, and around.
You might be sitting on a gold mine, right there in your own refrigerator.

We could always make Lemonade

Are all of your photos lemons? Two photos, from above, and two sketches came together for this layout. I emphasized the diagonal shapes and used strong verticals to break up those shapes. If the viewer was a squirrel it would be possible to enter at the bottom follow the diagonals to the trees, scamper up the trees, through the branches, down the other side, into the distant trees to do the same thing.
I have used colors in the middle and background, that come forward instead of receding. This breaks a few traditional rules of distance in the landscape but serves to abstract the view in a way that suits me.
That doesn't mean I won't tweak it a bit while it is still wet.